Publication Type

Journal Article

Version

acceptedVersion

Publication Date

3-2021

Abstract

This paper advances a new understanding of cosmopolitanism; one that is rooted in the affective potential of the body. It argues that whilst the self is often projected onto the body, so too can the body play an important role in (re)imagining the self. As such, the body can decolonise the self from the mind, from the expectations of society and culture, and from the normative epistemological underpinnings of academic knowledge production. I validate these theoretical arguments through an empirical focus on the practice of dancehall in Singapore. Dancehall is an emancipatory cultural movement that emerged in Jamaica in the late‐1970s, and, amongst other things, has become known for its sexually provocative representation of the human body. Singapore, on the other hand, is a conservative Asian city‐state in which cosmopolitan self‐fashioning is an elite, top‐down process imparted by the government and educational system. By reconciling dancehall culture in/and the Singapore context, I explore how Singaporean youths forge new, more affective, forms of cosmopolitan self‐realisation. Through dancehall, they learn how to engage with the self on their own terms, and thus realise new ways of being in the world.

Keywords

Cosmopolitanism, affect, body, decolonisation, dancehall, Singapore

Discipline

Asian Studies | Sociology of Culture

Research Areas

Humanities

Publication

Transactions of the Institute of British Geographers

Volume

46

Issue

1

First Page

135

Last Page

148

ISSN

0020-2754

Identifier

10.1111/tran.12407

Publisher

Wiley

Embargo Period

8-12-2022

Copyright Owner and License

Authors

Additional URL

https://doi.org/10.1111/tran.12407

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