Publication Type

Journal Article

Version

acceptedVersion

Publication Date

1-1995

Abstract

This paper focuses on popular music written and produced by Singaporeans to illustrate the nature of social relationships based on ideological hegemony and resistance. Analysis is based on two groups of music: 'national' songs supported by the government in the 'Sing Singapore' programme; and songs brought together in Not the Singapore song book. Interviews with local lyricists and analysis of video productions provide supplementary information. Music is used by the ruling elite to perpetuate certain ideologies aimed at political socialization and to inculcate a civil religion that directs favour and fervour towards the nation. Music is also a form of cultural resistance against state policies and some social-cultural norms. Music embodies social commentaries on aspects of Singapore society, such as controversial government policies and the ostentatious lifestyle of many Singaporeans.

Keywords

Popular music, cultural politics, ideology, resistance, Singapore

Discipline

Asian Studies | Music | Sociology of Culture

Research Areas

Humanities

Publication

Transactions of the Institute of British Geographers

Volume

20

Issue

4

First Page

447

Last Page

459

ISSN

0020-2754

Identifier

10.2307/622975

Publisher

Wiley

Embargo Period

1-15-2016

Copyright Owner and License

Authors

Additional URL

https://doi.org/10.2307/622975

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