Publication Type

Journal Article

Publication Date

1-2003

Abstract

Kuo Pao Kun (1939–2002) was the doyen of Singapore theatre and is considered by many as the most important figure in the nation’s cultural history. The author discusses the art of Kuo Pao Kun; his humanist theatre and his rigorous demands of artistic commitment.

Discipline

Theatre and Performance Studies

Research Areas

Humanities

Publication

Contemporary Theatre

Volume

3

Issue

3

First Page

26

Last Page

36

ISSN

1048-6801

Identifier

10.1080/10267160302718

Publisher

Taylor and Francis

Creative Commons License

Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License
This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License.

Additional URL

http://doi.org/10.1080/10267160302718

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